Cerberus Guilloche Full 29 ((FULL))

Cerberus Guilloche Full 29 ((FULL))

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Cerberus Guilloche Full 29

the royal mint guilloche banknotes and tokens, 1861–1887, 1 pound in silver, all together for sale are from the royal mint’s guilloche banknote collection. these are quite rare, and there are only about 10,000 of the total circulation of these banknotes still in existence.

the guilloche is a design element used on many banknotes around the world. as one of the oldest banknote designs, the guilloche was used on banknotes before the invention of banknotes in the united states, and remained a popular banknote design from 1836 until 1966. today, the guilloche is a registered trademark of the bank of england.

the great designer norman bakewell, who worked for the bank of england from 1825 to 1849, developed his own trademark for the guilloche. the guilloche was the first banknote design to gain the attention of the public, and norman’s distinctive script, which has come to be called the “bakewell script”, started the trend of banknote engraving. the guilloche is still a popular banknote design, and is usually found on the 10 pound note.

the guilloche is a registered trademark of the bank of england. in 1827, the bank of england began issuing guilloches in preference to other engraved designs. the guilloche was preferred over earlier designs because the guilloche was engraved by a machine. this was important because it could produce very large numbers of banknotes and was cheaper than engraving. also, a guilloche is easier to reproduce. the guilloche design has been used on banknotes throughout the world.

in addition to the originality of its subject, this painting by patinir is also remarkable for its unusual composition within patinirs oeuvre. the artist has divided the space vertically into three zones, one on either side and the third occupied by the broad river in the centre, on whose opaque and mirror-like surface charon steers his boat. for the iconography of this subject, patinir draws together biblical images and classical sources. an angel on the promontory, another two accompanying the souls not far away, and a few more with other tiny souls in the background allow us to recognize the paradise on the left as a christian heaven, not the elysean fields. on the other hand, the dog cerberus seems to identify the inferno shown on the right as hades, thus associating it with greek mythology, as do charon and his boat.

the royal mint guilloche banknotes and tokens, 1861–1887, 1 pound in silver, all together for sale are from the royal mint’s guilloche banknote collection. these are quite rare, and there are only about 10,000 of the total circulation of these banknotes still in existence.
the guilloche is a design element used on many banknotes around the world. as one of the oldest banknote designs, the guilloche was used on banknotes before the invention of banknotes in the united states, and remained a popular banknote design from 1836 until 1966. today, the guilloche is a registered trademark of the bank of england.
the great designer norman bakewell, who worked for the bank of england from 1825 to 1849, developed his own trademark for the guilloche. the guilloche was the first banknote design to gain the attention of the public, and norman’s distinctive script, which has come to be called the “bakewell script”, started the trend of banknote engraving. the guilloche is still a popular banknote design, and is usually found on the 10 pound note.
the guilloche is a registered trademark of the bank of england. in 1827, the bank of england began issuing guilloches in preference to other engraved designs. the guilloche was preferred over earlier designs because the guilloche was engraved by a machine. this was important because it could produce very large numbers of banknotes and was cheaper than engraving. also, a guilloche is easier to reproduce. the guilloche design has been used on banknotes throughout the world.
in addition to the originality of its subject, this painting by patinir is also remarkable for its unusual composition within patinirs oeuvre. the artist has divided the space vertically into three zones, one on either side and the third occupied by the broad river in the centre, on whose opaque and mirror-like surface charon steers his boat. for the iconography of this subject, patinir draws together biblical images and classical sources. an angel on the promontory, another two accompanying the souls not far away, and a few more with other tiny souls in the background allow us to recognize the paradise on the left as a christian heaven, not the elysean fields. on the other hand, the dog cerberus seems to identify the inferno shown on the right as hades, thus associating it with greek mythology, as do charon and his boat.
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